my second MA in Poetry & Literary Translation

my second Master’s Degree is officially COMPLETE!! 🥳💖 these past two years at Warwick University were a rich immersion in the art of poetry & in the practice of literary translation. milestones achieved have been:

☁️ completing my dissertation, entitled “Rendering Sacred Texts: Ethics and the Question of Untranslatability”, in which i explored the practice of translating sacred texts and the intricate issues it presents in the field of translation studies, mainly posed by the dilemma that is the hypothesis of an intrinsically sacred quality to languages such as Sanskrit or Latin. i argued that in the case of non-dual traditions, the subsequent question, of whether translation would defile the text, is incongruent with the philosophy & cosmology the text is rooted in. i used the Lalitāsahasranāma, a central hymn of Śrīvidyā, as a case-study.

☁️ conducting my poetic research centred on bhakti or devotional poetry, a genre of Indian poetry which worships the Divine as the Beloved. i worked on two bhakti collections: “odes to the Monsoon One” and “the Monsoon One and the pilgrim”, which explore a woman’s mystical journey. written as a response to the lingering legacy of female exclusion from spirituality that is present literature, the poetry rebels against misogynistic religious texts thematically, through female-centred imagery deifying the demonised body, through the subversion of elements of oppression such as motifs of marriage. the Divine is worshipped in my poems as a lover. i argued that for as long as remnants of a religious culture exclusive of women persist in South Asian literature and practice, for so long will bhakti poetry be needed for devotional rebuttal.

more on this soon! i am hoping for these to be published in 2024 or 2025. 🤍

i extend my gratitude to my extraordinary professors: my supervisors Dr. Jodie Kim & Rosalind Harvey; Professor David Morley, as well as Dr. Chantal Wright, who generously & expertly encouraged and guided me, as well as expressed genuine interest in my work – interest which i especially appreciated when my work took unconventional routes! 🙏

as this chapter ends, a new one at Edinburgh begins! 🥰 onward!

Ph.D. Update!

I am incredibly honoured and moved to share that I am being awarded the Edinburgh Doctoral College scholarship of the School of Divinity and will be commencing my Ph.D. at Edinburgh University in September with full funding for my research, and with a thesis entitled (as of now!) “The Goddess’s Descent to Earth: In Dialogue with the Reimaginations of the Mahābhārata’s Draupadī”. I am extremely grateful to Professors Mark Harris, Alison Jack and to the board of the School of Divinity for believing in my work. There were times when I was close to not believing in it myself, but the love for the work has pulled me to keep moving forward even in the greatest moments of doubt. More exactly, the love has grown to be greater – and, to be honest, more interesting – than my doubt or uncertainties about myself, which are less exciting to follow than the mysteries that are to be uncovered.

Once, a teacher of mine shared that, if you quiet the mind and listen to your depths, you will be able to feel a thread, a glimmer – pulling you to where and how life wants to move through you. Where that is, as well as getting there, could seem unattainable by way of reason or logic, but the thread will pull you through in ways unimaginable to your perception, with its current limitations and insecurities. This has been my experience, as well.

Follow the thread. Let the love for your work guide you and pave your path. 💜