// Interview // The Emotional Value of Photography for Scan: Arts Culture // Catherine Rose in conversation with Téa Nicolae

*it was such a pleasure to be interviewed by the wonderful Catherine Rose for Scan! i do not consider myself a photographer in any way, but photography holds a deeply emotional & expressive value for me. you can find the interview online here (&a small typo in my name heh!) 🌷🌞

 

Téa Nicolae is a third-year Film and Creative Writing student. She writes confessional, intimate and experimental poetry, and is greatly interested in Eastern philosophy, eco-spirituality and psychedelia. I spoke to Tea about the emotional, deeply personal and often nostalgic quality of polaroid photography.

So, Téa, what do you use to take your photographs?

I use my iPhone, a Fujifilm mini polaroid and a Nikon D3200. I’ve had my polaroid for about six years and my camera for nine, and they naturally hold a lot of sentimental value for me. It’s touching for me to think about how much time I’ve had them for and how many beautiful memories they froze for me. However, I find myself often avoiding using my camera. I use my phone and my polaroid instead, as I am very drawn to candid photography and I feel like the two capture ‘the moment’ more. I’ve noticed that people usually become tense when they see a professional camera and are more likely to ‘perform’ themselves instead of just being.

Your photography encompasses a really soft and nostalgic feel; as a writer, is the emotional quality of capturing images important to you?

As photography mainly represents a way of preserving memories for me, I find that my feelings often dictate whether I want to take a photo or not. If I am touched by intense emotion, be it negative or positive, I capture my surroundings. Even the photos of landscapes that I take instantaneously evoke what I experienced at that moment. Photos preserve my inner world, which greatly helps my writing process.

Your photography has a dream-like quality stylistically, with dust-flecks and pale filters, making your photographs feel like tiny evocative memories.

Thank you! To an extent, I do believe that nostalgia is the reason I take photos. I do not consider myself a ‘photographer’ by any means, but I deeply enjoy taking photos of everything that surrounds me: people that I love, animals that warm my heart, the beauty of places I find myself in. My polaroid photos are plastered on the frames of my mirrors. I started decorating my room like this the year that I left my home in Romania and moved here at university. My first month in the UK was overwhelming and I couldn’t help feeling lonely and homesick. However, waking up every morning to see the loving faces of my close friends and family smiling at me from the walls of my dorm greatly comforted me. Photos also help me express gratitude for the past and embrace the changes of the present.

What is your dream photography travel destination?

India, probably. I am fascinated by India’s rich culture and I have a deep respect for the wise, esoteric Hindu philosophy. I dream of visiting during Diwali, the Festival of Lights. The photos I’ve seen, from friends and online strangers, are astonishing. It would be such a wonder to be there, to capture the profoundness and intensity of this enchanting experience, to further share it with the world.

SCAN interview

the featured photos:

*the four vertical ones were taken while visiting Rome with my high-school friends. i was in a lot of pain at the time and i was torn between immersing myself in Rome’s beauty, trying to connect with my friends and honouring the process. to me, the photos therefore commemorate that angsty bitter-sweetness. the hands featured are my dear friend’s Rada. the horizontal photo taken at sunset in an empty parking lot immortalises my friend, Lia and the end of high school. 🌷🌞

Tea-Nicolae-Ivy
speaking of Scan, my bunny, Ivy, was featured in their Pets in Quarantine article! hihi 🙂

Ānanda by Téa Nicolae

*poem published in ‘get well soon’, online zine put together by Dan Power, compiled with poems of shared experience from self-isolation. i’m very honoured to be included in this collection! 🌸 the poems are soothing and they will hopefully warm many in these uncertain times 💛

i allow myself
to feel joy,
peeling carrots
with my grandmother,
stroking my nose
against my doe rabbit’s
i allow myself
to feel beauty,
adorning my neck
with rose quartz necklaces,
gazing at the night sky
sliding itself into dawn
i allow myself
to feel stillness,
laying my naked skin
in fresh lavender sheets,
placing hands on my belly,
counting eleven deep breaths
i allow myself
to feel grief,
embellishing my knees
with tears, planting kisses
on the blisters
that bejewel my skin
i allow myself
to twinkle alive,
tulle pressed
to my damp thighs,
dancing with my
hands above my head

i
allow
life
to flow
through
me

 

*ānanda is a sanskrit word that means ‘joy’, ‘bliss’ and ‘divine happiness’. 🌼 the poem was inspired by Hareesh’s words: ‘There exists the possibility for joy (ānanda) in any and every experience. By joy (ānanda) I do not mean ‘extreme happiness’, but rather a kind of deep loving acceptance of any given present-moment reality’. 🌼

*from the zine’s foreword:

‘Self-isolation is a weird contradiction – we’re separated from the world, and across the world we’re sharing an experience. When the curtains are drawn, the outside world stays outside. What this collection hopes to do is to throw those curtains open, to wave through the window. We’re sharing our experiences to prove that we’re not alone, that all of this means something.’

 

ananda