amaryllis (/หรฆmษหrษชlษชs/[1]) – bears the name of the shepherdess in virgil's pastoral eclogues. it stems from the greek แผฮผฮฑฯฯฯฯฯ (amarysso), meaning "to sparkle", and it is rooted in "amarella" for the bitterness of the bulb. the common name, "naked lady", comes from the plant's pattern of flowering that blooms when the foliage dies. in the victorian language of flowers, it means "radiant beauty".
the sun in my mind aging by one the tinkle of golden anklets calling from the forest of monal the blood of my womb coalescing into bruised grass the clouds of silk blushing against my cheeks the burn of my skin drying before the unforgiving light the sound of my shame vibrating in my chest the cold untangling my fingers’ grasp on fears seeded into me as child
i sometimes wish i was satisfied by easy by swinging my feet over the white picket fence holding hands with perfect suitability but the fire in my belly scorches and i know i’m not
i sometimes wish to rest but the fire in my belly scorches and i know i have to keep moving
you held me all night, my Lord unseen to the eye, your grace, a lover’s touch, wrapped my skin unheard to the ears, your name, my japa, vibrated through my braincells
Monsoon One, do you long for me as fully as i long for you? do you call on me as ardently as i call on you? you do, don’t you, my Lord? i am not alone in this quest
for every step i take towards you, you take two towards me for every tear i spill in yearning for you, you ignite vฤซrya in my skin tissue for every test of yours that i fail, you yank me freer of delusion
i see it now, Hari. you have been pulling me by my hair and hands to you. it was all you. it was always all you.
if i run to you as fast as my legs can take me, will you meet me halfway?
you will, won’t you, my Lord?
๐ฆ Happy Kแนแนฃแนa Janmฤแนฃแนญamฤซ! ๐ poem from my upcoming collection “the Monsoon One and the pilgrim”. ๐
written at 18 years old. when i read the last line, the chorus of the song ‘the archer’ rings in my head, most specifically the ache in “can you see right through me? they see right through me. i see right through me.” what i would tell my 18-year-old self now is, you can’t see through you yet. what you think you see is an antagonised & subdued version of yourself. few people can see through others, and those who can, have met themselves so deeply that they will meet you in corners you don’t know you have yet.
you can read the poems i wrote in my teenage years in my collection songs of youthย ย
in my sixteenth autumn, Nature called me to her, burned into my cells the yearning to meet my depths and i tasted myself wildly in her fold until wisteria tangled my feet and life pulled me from myself by my hair and i lost the thread, the web, the call.
๐ ๐๐๐ ๐๐๐๐ ๐ ๐๐๐๐ i told the river as it broke through my skin i forgot the lessons, i forgot the actual call. i could only hear an echo of it and i followed fragments of memory. it seemed like the call. it felt like the call. it wasn’t. i was just a girl.
your terence said, if you are to follow, only follow Nature. it is funny, how sixteen autumns of cracking fire could understand what twenty springs of dimmed flame did not.
twenty four summers rekindle the fire with rage, bare skin and an open chest, and with my girlhood as the blood offering.
watch me answering your call again with my hair burnt and my thighs bled.
like the dragon woman who ate horseflesh in the red sea, i sink my teeth into my girlhood and consume it rapaciously in the forest.
mad eyes, i pledge: this time, it will just be me, and you, and the wildness.
i say to you. my eyes are soft but i house venom underneath my teeth. i cloak my vulnerability in spite, daring you to be cruel to me so i can finally bite. you can tell.
slighting bhakti poetry, the poems belonging to the “of jumbled warmth” section of ~ songs of youth ~ are poems i wrote which would most closely resemble what would be known as poems of love. sharing the ending stanzas of “you said you loved me accusatorily” from verona, the city of love!
*when i mused something similar, my very wise friend @flagrantambiguity noted that all poetry is love poetry in essence, only not in the customary way we think about love – which i *love*-d ๐ซ๐ because, indeed, to write a poem about something implies devotion to it – be it devotion to anger, grief or hatred. (my take!)