AshZero Sound Explorations: The Mahāvidyā Kamalātmikā Algorithm

i have been exploring the algorithm of the Mahāvidyā Kamalātmikā through sound pathway as facilitated by the AshZero offering of “Sounds of Śakti” for which @lensonearth created a series of sounds distilled from bījā mantra. the sounds are not chants nor articulated resonance; instead, they are what we see as a container through which sound is projected as shape. this model of absorption is a near non-linear oral transmutation which aims to follow the siddhānta (algorithm) of ṛṣi darśanāta (to understand more, watch “Vedas: All You Wanted to Know” by Dr. Kesarkar which expounds on how the Vedas originated from sound: https://youtu.be/mK6KdrmyOcg?si=t7vuad5g9kiLXCyF).

after experimenting with various abstract sound combinations for a week, i began continuously looping through one particular waveform.

with the awareness that it is in our humanness to prefer what is amiable and to make choices (such as that of which sound to absorb) based on what resonates with our sense projections, i aimed to renounce any bias and to absorb the sound for 3 weeks without expectations, familiarity or target. i listened to it in the morning and in the evening, 4 times each round.

gradually, the sound became integrated in my system; i became able to access it spontaneously, in the sensory exchanges occurring in my regular days. i noticed change in my perception of the events arising in my life as well as in my actions. as instructed, i aimed to avoid the natural urge to linearly make sense of it or to differentiate positive and negative effects arising of this flow. thus, i will not pinpoint what exactly changed in my life through the means of this sound, nor do i think it would be feasible or fruitful, as it causes validation toward a process – which is not the aim of application-based Tantra.

however, as an exercise, i decided to jot down the unfolding of a sound exploration that transpired in my first night in Rishikesh without any rationale other than an opening to the process possibly unlocking something within without a specific subconscious target.

i’m not sharing this with the intention to construct a mystical halo. mystical / energetic experience is ultimately just an experience – it can greatly help us open or gain clarity, but it’s important not to get caught up in it. the experience i am sharing simply demonstrates how sound can be absorbed by the system and nothing more, and has no inherent specialness.

as i sat by the Gaṅgā, the sound i have been imbibing spontaneously rang in my right ear at low volume. after a small dram of whisky taken as sacrament, the sound boomed in both of my ears. my heartbeat increased and various bodyparts, such as navel, feet and hands began pulsing. what i understand as “pleasure pathways” in my system fired. followingly, i directly listened to the sound with headphones, eyes open. after i finished listening, the sound overturned my thoughts and my experience became an immersion in the five senses (sight, touch etc).

sacrament choice: 6 y/o Highland Park independent bottle, 60.1%, which i got from Cadenhead’s at a Whiskybaba.in immersion in summer – i’m not a fan of OB (original / official bottling) of Highland Park but their IB (independent bottling) i think is a must try. 🙂

Hymn to the Empress of Kings by Téa Nicolae

Praise be to The Empress of Kings
seated on the throne of five corpses in the palace of ruby.


Her blinking eyes birth and collapse the cosmos,
and her crown is the lunar half-moon.


She whose reddened eyes roll ecstatically,
She is Mahātripurasundarī,
The Great Beauty of the Triads.


Praise be to Parā Aṃbikā,
of allure so exquisite that, enchanted,
Śiva grew his third eye just to worship her beauty.


Her body is anointed with sandalwood,
and her fragrance bathes and deludes the three worlds.


She is Śrīmātā,
The Auspicious Mother.


Praise be to Lalitā Aṃbikā,
The One Who Plays,
whose girdle of tinkling bells stirs creation into being.


She who gifts the sun his effulgence,
Her toenail holds the universes,
and Her auspicious thighs are known only by the fortunate Kāmeśvara.


She is Kāmākṣī,
She whose eyes are desire.


Bhavānī,
you are the nectar of the ocean of compassion:
grace this songstress to only sing of your praises.


🌺 “Hymn to the Empress of Kings”, one of my poems offered to Devī at the magnificent Siri Jyoti Pūjā in Seattle. inspired by the verses of the Lalitāsahasranāma which extoll Lalitā’s rapturous beauty. Śrī Mātre Namaḥ. Happy Navarātra!

ecstatic sculptures of the Devīs & the Devas at the Ashmolean Museum, Oxford

ecstatic sculptures of the Devīs & the Devas at the Ashmolean Museum, Oxford, one of the oldest museums in the world! 🤍 awe!

pictured:

• Śiva & Pārvatī tenderly embracing each other (alternatively titled ‘Umā-Maheśvara).

• Pārvatī as the enthralling Gaurī. Mahārājñī!

• the beautiful Pārvatī making the kaṭakahasta gesture

• Viṣṇu ruling with his śakti, Lakṣmī, seated on his lap as her throne (alternatively titled Lakṣmī-Nārāyaṇa)

• the radiant Goddess Siddhā holding lotuses

• victorious Durgā slaying Mahiṣāsura

• dancing Ganeśa

• yet another depiction of Durgā slaying Mahiṣāsura

• two sculptures of the enrapturing Viṣṇu

• Viṣṇu birthed as Rāma